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Ye Old Print Shop
Ye Old Print Shop
Maintained by:
Offering authentic 19th Century antique prints & maps. Topics include seascapes & landscapes of England, Scotland, Turkey, Africa, the Balkans, Japan, China & Americas. Also fascinating prints of Thomas Nast, Winslow Homer, the Civil War, science, archetecture, military, engineering & the arts.
How to preserve your antique print
How to frame your antique print
Wood Engraving
Wearable Art T-Shirts
About the seller
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Shipping & Payment
Many of our prints ship for FREE. See indiviudal auctions for shipping information. If there is a shipping charge, all additional prints purchased ship for FREE. International buyers get BIG SHIPPING DISCOUNTS, too, when purchasing multiple prints!
Return Policy
100% Satisfaction Guarantee. Just return the item within 7 days of receipt for a full refund. No questions asked!  Buyer pays return shipping.
  
Matting and Framing Antique Prints

Matting and Framing Antique Prints

Protecting antique prints and paper ephemera with acid-free folders and archival quality boxes and sleeves may be appropriate for storage.  However, it is neither convenient nor safe for items that you wish to view.  One of the best ways to preserve your antique paper items for the future, while being able to view them, is to mat and frame using conservation quality materials.

You can bring it to a professional or do it yourself.  If you choose to have a professional do the work, choose a reputable framer and specify the materials to be used.  Whether you or a frame shop frame your prints, all mats, backing materials and adhesives should be chemically stable and acid free.  Adhesives that come in contact with antique paper should be permanent but reversible.  When handling the print, use cotton gloves to keep from soiling the paper with natural oils which occur on the skin.

Mounting and Mat Board

The print or paper ephemera should never touch the glazing. A window mat will prevent this, while showcasing your item. The window mat and the backer should be made of acid-free, high alpha-cellulose purified wood pulp or cotton rag board. Using a stable adhesive, hinge the window mat to the backer with acid-free tape such as linen or Tyvek.

Hinge

Prints should never be mounted on the backer with adhesive such as a dry mount. Instead, small items can be fixed to the backer board with acid-free corners or transparent mounting strips. Larger items should be hinged to the backer with Japanese paper and starch adhesive. Use a T-hinge if the print doesn't show through the window, or a folded V-hinge if it does.

Glazing

Protect your print from fading and deterioration caused by UV light by using UV filtering glass or Plexiglas or acrylic glazing.

Frame

Either wood or metal frames can be used. They should be deep enough to hold the mat/picture combination and a frame backing board.

Backing Board & Sealing Tape

Once you have placed your matted print in the frame, keep pollutants and insects from affecting your artwork by placing a well-fitting sheet of acid-free corrugated board in the back of the frame, sealed with a stable sealing tape.

 

 



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